Anonymous Comrade submits:
"Raoul Vaneigem, Refusals and Passions"
An Interview with Francois Bott
CONVERSATION: The author of Treatise on Living for the Young Generations pursues his quest for happiness.
Lovers of Existence. In The Knight, the Lady, the Devil and Death, Raoul Vaneigem takes stock in the manner of the navigators. These aren't his Memoirs. He's asking the time. What time is it in my own existence? "It is a time in which the years efface themselves," Vaneigem writes in the Preamble. "They abandon us all the more easily because we have refused to count them. They only leave us in a forest that is both strange and familiar, worrisome and peaceful. . .."
Born in 1934 in Lessines, Belgium, Raoul Vaneigem was, in his youth, one of the strollers of the big cities who plotted against the market society, and one of musketeers of the Situationist International, which spread the most subversive ideas. Published in 1967, his Treatise on Living for the Young Generations and Guy Debord's The Society of the Spectacle inspired the May 1968 movement and revived revolutionary hopes among the even the least dreamy.
Thirty-five years have passed. Guy Debord committed suicide on 30 November 1994. Retired to the countryside, not too far from Brussels, Raoul Vaneigem has continued to write, complement his Treatise with such works as The Book of Pleasures, Address to the Living, Declaration of Human Rights, The Era of the Creators. . .. Rustic writer, writer of the dawn, the old musketeer has lost none of his critical verve with respect to a world subservient to the dictatorship of money. This great lover of existence, launched since his youth in search of happiness, despite bad weather and bad days, has kept his refusals and passions with us.
Question: In The Knight, the Lady, the Devil and Death (editions Cherche Midi), you speak of your own existence, which is a manner of asking for the time. What time is it? [translator: English in original] "Where are you in time?" wrote the boxer-poet Arthur Cravan. Perhaps at a certain moment of their lives the fashion in which the writers asked the time was definitive and different. . ..