SCP-New York writes:
"Why We Refuse to 'Play Detective' "
Surveillance Camera Players -- NY
In the early days of the process of identification [...], the identity of a person was established through his signature. The invention of photography was a turning point in the history of this process. It is no less significant for criminology than the invention of the printing press is for literature. Photography made it possible for the first time to preserve permanent and unmistakable traces of a human being. The detective story came into being when this most decisive conquest of a person's incognito had been accomplished. Since then, the end of efforts to capture a man in his speech and actions has not been in sight. -- Walter Benjamin, The Paris of the Second Empire in Baudelaire, 1938
Detective stories are very, very popular these days, not only in bookstores, but also at the movies and on television, where they are sometimes called "police dramas." What accounts for the enduring popularity of the detective story? A big factor is obviously the salacious subject matter, the crimes, the most common of which is murder. To guard against the accusation that the writers and readers of such gruesome fictions are puerile or perverted, the center of attention of these "guilty pleasures" is shifted from the crime and the criminal who committed it to the detective who investigates the case. No doubt this is shift is made with great reluctance, because it is commonly believed that criminals are "more interesting people" than police officers. In any event, the need to compromise suggests that it isn't so much the gruesome crimes, but the narrative's displaced relationship to them, that makes the detective story so popular as a genre. People may love to read about criminals, but, deep down, they identify with detectives.