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Culture

"Bakhtin as Anarchist"

Caryl Emerson

[An excerpt from "Bakhtin After the Boom: Pro and Contra," Journal of
European Studies,
March 2002 v32 i1 p3(24).]

[T]he question of Bakhtin's Russianness is highly contested, and in
closing I will touch only on two areas where I think he partakes of a recognizably
mainstream Russian tradition.


First, there is much in Bakhtin's thought that is anarchist. By which I mean:
if Bakhtin can dispense with an institution, an impersonal norm, a mechanical
causality, he will do so. For all his formal style as a professor and for all
the reverence with which he approached the culture of the past, he had a
powerful animosity against 'official life', 'officialese', lobbying for
hierarchical recognition, all of which he perceived as cowardly alienation
and
irresponsibility. This animus fed both his fondness for carnival and
sustained
him during his long years of not being read and not being heard.

"Participatory Detournement:

A Collaborative Evisceration of Jack T. Chick's 'Charlie's Ants'"

Detourn, deploy, detourn again:


http://aphid.org/CA

Anonymous Comrade writes

This review evidences the attempts by the spirit-minded (aka New Age) (dis)establshment to come to terms with the necessity for political change. It's an intriguing perspective, from Lapis Magazine

Lessons Still Unlearned:

"The Weather Underground," Thirty Years Later

Jay Kinney

Every now and then, a film appears that has special resonance with the issues of the moment. The recent documentary, "The Weather Underground," is such a film.


At first glance it might seem unlikely that a film about a cult-like '60s New Left sect that fell apart by 1976 would have much light to shed upon the present. Yet, it is hard to walk away from seeing this film without reflecting on the curious parallels (and differences) between then and now.


From
http://lapismagazine.org

Lessons Still Unlearned:
"The Weather Underground," Thirty Years Later
BY JAY KINNEY


Every now and then, a film appears that has special resonance with the issues of the moment. The recent documentary, "The Weather Underground," is such a film.


At first glance it might seem unlikely that a film about a cult-like '60s New Left sect that fell apart by 1976 would have much light to shed upon the present. Yet, it is hard to walk away from seeing this film without reflecting on the curious parallels (and differences) between then and now.


From
http://lapismagazine.org

Lessons Still Unlearned:
"The Weather Underground," Thirty Years Later
BY JAY KINNEY


Every now and then, a film appears that has special resonance with the issues of the moment. The recent documentary, "The Weather Underground," is such a film.


At first glance it might seem unlikely that a film about a cult-like '60s New Left sect that fell apart by 1976 would have much light to shed upon the present. Yet, it is hard to walk away from seeing this film without reflecting on the curious parallels (and differences) between then and now.

hydrarchist writes "It's amazing just how little literature there is in circulation about Italy's scoail centres, a massive movement for the reclamation of urbanm space in action since the 1970s. Steve Wright's piece is from 2001 and is only an introduction, but hopefully over the next months this lacuna can be filled. Elsewhere Wight is the author of Storming Heaven an excellent account of the development of 'operaismo' (a movement of social criticism that placed the grassroots insurgency of labour at the center of history). You can read Sergio Bolona's review of it here, and another by Aufheben here

Italy’s Social Centres — ‘A Thousand Human Stories’


Steve Wright


If some form of radical working class politics continues to exist in Italy today, part of the credit must go to those who run that country’s self-managed occupied social centres (CSOA). As Steve Wright explains, the very growth of the centres has brought new and as yet unresolved problems of its own.

hydrarchist writes [edit.: ommitted to mention that this is from Aufheben - if you don't read this magazine you may be prone to error ;)]:

From Operaismo to 'Autonomist Marxism'



Reviewing:

Storming Heaven: Class Composition and Struggle in Italian Autonomist Marxism by Steve Wright (London: Pluto Press, 2002)

Reading 'Capital' Politically (2nd edn.) by Harry Cleaver (Leeds: AK/Anti-thesis, 2000)

The Italian 'Hot Autumn' of 1969 was one of the high points of late 20th century revolutionary struggle, and is associated with operaismo ('workerism'), a Marxian approach that focused on rank-and-file struggles in contrast to what was seen as the politics and opportunism of the dominant (Stalinist) left. The wave of social struggles of that year was echoed, although with important differences, in the tumultuous 'Movement of 1977'. Under the banner of autonomia, the workerists' analysis of class struggle was extended through the actions of groups outside the workplace. Intense street-fighting, self-reduction or outright refusal of bills and fares, the explicit raising of radical demands such as the abolition of wage-labour: all this hinted at a movement for which what counts as 'political' had been seriously questioned by struggles around wider desires and needs. Readers will be aware of workerism and autonomia today through the works of its most well-known theorists, such as Negri, through the US journal Midnight Notes, and perhaps through the aut-op-sy website and discussion list.[1] For many of those dissatisfied with the versions of Marxism and anarchism available to them in the UK, the notions of 'autonomy' and 'autonomist' have positive associations. For example, the recent 'anti-capitalist' mobilizations of J18 and Seattle both drew on themes and language associated with autonomia, such as autonomous struggles and diversity.[2] However, the history and theory surrounding workerism and autonomia are not always well known. The recent publication of two books on operaismo and autonomia and their theoretical heritage testify to the continued interest in this current. Harry Cleaver's Reading 'Capital' Politically was originally published in 1979, and has now been republished, with a new preface. Cleaver's Introduction, in particular, has been a point of reference to many in grasping the significance of post-war developments, including struggles that don't necessarily express themselves in traditional forms. Steve Wright's Storming heaven presents a critical history of the Italian movement's political and theoretical development in relation to the struggles of the 1950s, 60s and 70s - a history which, we argue, now supersedes the Cleaver presentation.

hydrarchist writes the original Spanish version is avaialble here.

BARCELONA 2004 :: waiting for the rain ::


by Stefano


contact mailing list:
llistainsostenible@sindominio.net

How and why it was
decided that in 2004, from May 9th to September
26th, Barcelona had to celebrate the "Universal Forum of
Cultures".

In the year 2004, the subsidies that the European
Community grants to
its less-developed member countries in the Mediterranean basin will end,
as the EC shifts its focus toward financing the development of its new
members in Eastern Europe. So the leadership of the city of
Barcelona decided that, in order to squeeze every last penny out
of the EC development fund, they would have to invent a special event to
justify an enormous financial investment. The Olympics had already been
assigned, and for years the Barcelona City Council had been working to
sell a new image of the city to the outside world, using slogans that have
been growing in popularity in recent years: "The City of Peace," "The
Multicultural City," "The Sustainable City"...

LonCayeway@Yahoo.com writes "Subject: The Chiapas Media Project - Song of the Earth


The Chiapas Media Project (CMP) is searching for university, religious and community-based sponsors to host screenings on their 8th annual spring tour April-May 2004. The tour will feature new videos produced by indigenous video makers from the states of Chiapas and Guerrero, Mexico.

hydrarchist writes:

Pepsi Ads Wink at Music Downloading

Theresa Howard, USA TODAY




NEW YORK — A new sort of Pepsi Generation will get air time on the Super Bowl: music downloaders.



Annie Leith, sued by the recording industry over music downloads, appears in a Pepsi ads.

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