M.Kressi writes:
"I've Got You Under My Skin:
Digging Kerry Out and Burying the Bones(men)"
Morrissey Kressi, Co-founder, Jerry Fohn Kuck Society
A telling event happened in the theater a few months ago when I viewed "The Manchurian Candidate" remake. An audible gasp and bodily revulsion rippled throughout the audience during the scene where Raymond Shaw receives his updated brain implant. Now, this in itself is unsurprising, as an extreme closeup of such an invasive procedure often provokes such results. The event is odd, however, when juxtaposed with a succeeding scene in which Bennett Marco uses a knife to dig out an implant in his own shoulder blade. This scene produced some mild reactions, but remarkably subdued in comparison. The crude, awkward, bloody, and self-inflicted invasion of the second scene provided a stark counterpoint to the clinical, precise, bloodless, and other-inflicted invasion of the first.
So what can "The Manchurian Candidate," and especially these two scenes, tell us about the current stage of spectacular politics? For one thing, the film reminds us of the pageantry of the electoral process. "Let's put on a good show," says an anonymous spectacle planner just as the campaign victory party is about to get underway. Both the two-bit children's theater and the hyperreal victory pageant take place on election day, acting almost as a condensed history of the spectacle.
