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Culture

November 11, 2011 - 9:15am -- jim
Analysis & Polemic
Culture

A Choice of Contemplations
John Michael Greer

Last week's post on the problematic nature of binary thinking went out
of its way to sidestep the most explosive of the binaries in
contemporary industrial culture. That was a necessary evasion; those of
my readers who are following the argument I've been developing over most
of the last two months have now had a week to mull over the point I've
raised in that post, to consider its pitfalls and possibilities, and to
get ready for a hard look the most sacrosanct binary of our time: the
binary between society as it is and society as we want it to become.

November 7, 2011 - 9:38pm -- jim
Analysis & Polemic
Culture

The Situationists and the Occupation Movements (1968/2011)
Ken Knabb

One of the most notable characteristics of the “Occupy” movement is that it is just what it claims to be: leaderless and antihierarchical. Certain people have of course played significant roles in laying the groundwork for Occupy Wall Street and the other occupations, and others may have ended up playing significant roles in dealing with various tasks in committees or in coming up with ideas that are good enough to be adopted by the assemblies. But as far as I can tell, none of these people have claimed that such slightly disproportionate contributions mean that they should have any greater say than anyone else. Certain famous people have rallied to the movement and some of them have been invited to speak to the assemblies, but they have generally been quite aware that the participants are in charge and that nobody is telling them what to do.

October 21, 2011 - 9:28am -- jim
Analysis & Polemic
Culture

"Pluto's Republic"
John Michael Greer

The Archdruid Report (October 12 2011)

Last week's Archdruid Report post ended with what might, without too
much exaggeration, be called a cliffhanger. Talk about magic, as we've
been doing for the last few weeks, and point out that using magic to
help people think more clearly has to be done one at a time with the
active cooperation of the person in question, and it's a safe bet that
very quickly someone's going to ask, if people en masse can't be made to
understand, might it be possible at least to make them behave?

That's the question I posed last week. It's a common notion, and unlike
most common notions about magic these days, it has some relation to the
actual possibilities of magic. To answer the question, though, it's
going to be necessary to start with a corpse in a bathroom.

The bathroom in question was on the University of Chicago campus, on an
otherwise pleasant spring day in 1991. The corpse belonged to Ioan
Culianu, a Romanian emigre who had a stellar reputation in academic
circles as a brilliant historian of religions, and a quieter but no less
impressive reputation in certain other circles as a modern practitioner
of Renaissance magic. Culianu had been shot once in the back of the head
by an unknown assailant. It's been suggested that his murder had a good
deal to do with his involvement in Romanian politics, as one of the most
vocal opponents of the regime that succeeded the Communists in that
country, but the case remains unsolved to this day.

October 19, 2011 - 10:17am -- jim
News
Culture

Friedrich Kittler, RIP, 1943-2011

German media theorist Friedrich Kittler died today. He was sixty-eight years old. Kittler was born in East Germany in 1943 and his family fled to West Germany in 1958. He attended the Albert Ludwigs University of Freiburg where he was heavily influenced by the work of Jacques Lacan and Michel Foucault. After receiving his doctorate in philosophy—his thesis was on the poet Conrad Ferdinand Meyer—he taught as a visiting professor at variety of colleges in the United States, including the University of California, Berkeley and Stanford University.

October 12, 2011 - 11:38am -- jim
Analysis & Polemic
Culture

Cognitive Capitalism and the University
Enda Brophy

[Foreword to “The Production of Living Knowledge: The Crisis of the University and the Transformation of Labor in Europe and North America” (Gigi Roggero, Temple University Press, 2011), http://www.temple.edu/tempress/titles/2134_reg.html ]

What is the status of the university in an era when knowledge, communication, culture, and affect have been “put to work” with unprecedented intensity? This is the question that Gigi Roggero’s text confronts, beginning with the premise that it is impossible to grasp the contemporary transformation of the university without considering the equally seismic shifts that are occurring in the condition of labor. The Production of Living Knowledge offers us the first extended analysis of the transformation of the university as read against the hypothesized emergence of cognitive capitalism and the forms of labor sustaining it. As such this book adds itself to a growing body of post-operaista (“post-workerist,” or autonomist) research that has been inquiring into this planetary, knowledge-intensive, and deeply unstable paradigm of capital accumulation over the last decade. Roggero’s critique of the contemporary university is a valuable contribution to the debates surrounding the politics of knowledge production within cognitive capitalism, and this introduction aims to offer the reader some context for his challenging book and the perspective that animates it.

October 6, 2011 - 1:55pm -- stevphen
Analysis & Polemic
Culture

The privatisation of stress
Mark Fisher
KAFCA

The numerous pathologies generated by neoliberalism can only be cured within a revivified public sphere.

Ivor Southwood tells the story of how, at a time when was living in a condition of underemployment - relying on short-term contracts given to him at the last minute by employment agencies - he one morning made the mistake of going to the supermarket. [1] When he returned home he found that an agency had left him a message offering him work for the day. But when he called the agency he was told that the vacancy was already filled - and upbraided for his slackness. As he comments ‘ten minutes is a luxury the day-labourer cannot afford’. Such labourers are expected to be waiting outside the metaphorical factory gates with their boots on, every morning (p72). In such conditions:

daily life becomes precarious. Planning ahead becomes difficult, routines are impossible to establish. Work, of whatever sort, might begin or end anywhere at a moment’s notice, and the burden is always on the worker to create the next opportunity and to surf between roles. The individual must exist in a state of constant readiness. Predictable income, savings, the fixed category of ‘occupation’: all belong to another historical world (p15).

It is hardly surprising that people who live in such conditions - where their hours and pay can always be increased or decreased, and their terms of employment are extremely tenuous - should experience anxiety, depression and hopelessness. And it may at first seem remarkable that so many workers have been persuaded to except such deteriorating conditions as ‘natural’, and to look inward - into their brain chemistry or into their personal history - for the sources of any stress they may be feeling. But in the ideological field that Southwood describes from the inside, this privatisation of stress has become just one more taken-for-granted dimension of a seemingly depoliticised world. ‘Capitalist realism’ is the term I have used to describe this ideological field; and the privatisation of stress has played a crucial role in its emergence. [2]

September 24, 2011 - 6:11pm -- jim
Analysis & Polemic
Culture

The Fiction of the Creative Industries
Florian Cramer

[This text was written for the emergency issue of the journal "Open"
by the Dutch Foundation for Art and the Public Space (Stichting Kunst
en Openbare Ruimte / SKOR) SKOR/Open is one of the arts organizations
to lose their funding in the Netherlands. The complete
(Dutch-language) emergency issue of Open can be downloaded from:
http://www.skor.nl/nl/site/item/open-noodnummer-over-de-nieuwe-politiek-...

The German artist Gerhard Merz said in 1991 that "creativity is for
hairdressers".[^1] Professional artists and designers never had a high
opinion of the word "creative" and the people bearing it on their
business cards, from creative directors to creative consultants and
creativity trainers. An exception perhaps was Merz' colleague at the
Dusseldorf Academy of Fine Art, Joseph Beuys. Anticipating much of
today's community art, he embraced the notion of creativity in its
broadest sense and sanctioned any type of socially constructive work
as art. And Merz, while making a sound point against romanticized
artistic subjectivity and the overall stupidity of the word
"creative", was a highbrow art snob dismissing the lower crafts.

September 21, 2011 - 7:44am -- stevphen
Events
Culture

Aldo Tambellini: Black Zero
1 October through 1 November, 2011
Chelsea Art Museum

Performance of Tambellini’s Black Zero featuring Christoph Draeger, Ben Morea, and Keweighbaye Kotee 20 October, 6 pm.

The Boris Lurie Art Foundation is pleased to announce a major retrospective exhibition of paintings, sculpture, lumagrams, videograms, film, video, and television work (1960-1990) by the American avant-garde artist, Aldo Tambellini

September 16, 2011 - 7:27am -- stevphen
Reviews
Culture

New Old Stories from the Other Situationists
Alan W. Moore

review of Expect Anything Fear Nothing: The Situationist Movement in Scandinavia and Elsewhere
edited by Mikkel Bolt Rasmussen and Jakob Jakobsen
with contributions by Peter Laugesen, Carl Nørrested, Fabian Tompsett, Gordon Fazakerley, Jacqueline de Jong, Hardy Strid, Karen Kurczynski, Stewart Home and the editors
Nebula (Copenhagen) and Autonomedia (Brooklyn), 2011

This book is a badly needed English language introduction to the stories of northern Situationism. While this political and aesthetic avant garde movement of the 1960s is most famous for the work of Guy de Bord (especially Society of the Spectacle, 1967), it had many other adherents and accomplishments, as the Expect anthology makes clear. Most notably for me is the description of a 1963 exhibition produced in Copenhagen in solidarity with a British direct action anti-nuclear group, “The Destruction of RSG-6.” But the northern Situationists also published an important artists' magazine, The Situationist Times, organized a commune in Sweden called Drakabygget, produced many short films and participatory art installations, painted slogans on drab public fences, and for years launched provocations against the smug consensus cultures of post-war Europe.

Since the 1970s I've had a sidelong relationship to the Situationists. They were really out there, politically, when I bought my copy of Debord's "Society of the Spectacle" published by the Detroit anarchist Black and Red house. Now there is a handsome MIT edition at many times the price of that pamphlet as the Situationist movement has emerged from the fog of the underground into the dry bright light of academic industry. In the 1990s, I used the resources of my artists' video distribution project to make pirate copies of De Bord's film for Bill Brown as he intervened in the commodification of the drunken sage's oeuvre.

July 7, 2011 - 8:24am -- jim
Analysis & Polemic
Culture

Happy Birthday, America
James Howard Kunstler

Do you, too, sense the dread abiding in our annual celebration of
national wonderfulness? Outside today's barbeque bubble the dark shapes
of wild events loom, exciting primal fears of unresolved woe and
travail. Yesterday, I saw a man on a back street of a small town with
spider webs tattooed on his elbows and a screaming skull on the back of
his neck. America, meet your new normal: a citizenry of exterminating
angels. Our political exertions mean nothing to them. They think Ronald
Reagan was the offspring of John Wayne and Minnie Mouse and the House of
representatives is a reality TV show about home improvement. Once they
are on the loose, even Rush Limbaugh and other like-minded jingo creeps
of the airwaves will despair.

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