Anonymous Comrade writes:
Stephen Wright talks on Use-Value and Art-Related Practice
Where: 16 Beaver Street, 4th floor (directions below)
When: Monday Night 05.02.05 @ 7:30 Pm Who: Open To All
2. The Future of the Reciprocal Readymade: An Essay on Use-Value and Art-Related Practice
Stephen Wright
In a late text, Marcel Duchamp set out to distinguish several different types of readymades. Of particular interest here is the genre which he punningly described as “reciprocal readymades.” Anxious, he claimed, “to emphasize the fundamental antinomy between art and the readymade,” Duchamp defined this radically new, yet subsequently neglected genre through an example: “Use a Rembrandt as an ironing-board.” (1) More than a mere quip to be taken at face value, or a facetious mockery of use-value, Duchamp’s example points to the symbolic potential of recycling art – and more broadly, artistic tools and competence – into the general symbolic economy of everyday life. For in that respect, the reciprocal readymade is the obverse of the standard readymade, which recycles the real – in the form of manufactured objects – into the symbolic economy of art. Historically speaking, the readymade is inseparably bound up with objecthood: it refers to a readymade, manufactured object Yet, it would be reductive to confine the readymade to its objective dimension alone, if only because it provides such a strong general image of the reciprocal logic between art and the real.