hydrarchist writes:
" The following long essay was prepared by Negativland for the forthcoming conference organised by the Center for the Public Domain. The essay provides a detailed analysis of some of the issues raised by intellectual property, a legal category that has been unrelentingly expanded in the last decade. Criminal liability now attaches to uses made by individual consumers of cultural products,a nd works produced in our lifetime will never be avaliable for recombination before our deaths - unless the 'life scientists' manage to pull off the immortality thing...
A full report on the conference will be published after the event here at slash.autonomedia.org.
We make this text available as a HTML document - it was released only in PDF format- in homage to the first victim of the DMCA's war to disable users' rights through criminalising those that make the tools required to exert those rights.
Dimitry Sklyarov was arrested at Defcon during the summer for his part in creating tools which allow the circumnavigation of Adobe's e-book reader encryption program.
Drop the Charges against Dimitry!
N© 10/14/2001 by Negativland;
Editor’s Note: See http://www.negativland.com for more
details.
TWO RELATIONSHIPS TO A CULTURAL PUBLIC DOMAIN
By Negativland
INTRODUCTION
It's been ten years since Negativland was sued by Island Records for the copyright
infringement, trademark infringement, defamation of character and consumer fraud
contained in our 1991 "U2" single. In the big wide world of idea ownership, a lot has
changed since then - the Internet and its worldwide empowerment of individuals through
personalized interconnection, the effects of globalization and how it bypasses both the
ideologies of local governments and the rule of their national laws, and the Digital
Millennium Copyright Act with which intellectual property owners are attempting to survive
all these rugs being pulled out from under them. There is a contemporary realization that,
on one hand, the fate of all content is now in the hands of its receiving audience more than
ever before, and on the other hand, that worldwide commerce is scrambling to forge all
kinds of new laws and regulations to maintain their traditional control over the fate of
“their” content.