What does it take to make famously stone-faced rocker Lou Reed crack a smile? Playing the blues for the first time, says Wim Wenders, director of "The Soul of a Man," the first installment in Martin Scorsese's seven-film series on the blues which premiered Friday at the Cannes Film Festival. Reed joined Beck, Bonnie Raitt and Nick Cave in interpreting the songs of Mississippi blues legend Skip James. "For Lou, it was so much fun, I am proud to announce he actually laughed," Wenders quipped. "And we have it on tape -- no photographer has ever captured him smiling on film." -- New York Daily News, 25 May 2003.
In other words, Lou Reed is a completely depraved pervert and pathetic death dwarf and everything else you want to think he is. On top of that he's a liar, a wasted talent, an artist continually in flux, and a huckster selling pounds of his own flesh. A panderer . . . . Lou Reed is the guy that gave dignity and poetry and rock 'n' roll to smack, speed, homosexuality, sadomasochism, murder, misogyny, stumblebum passivity, and suicide, and then proceeded to belie all his achievements and return to the mire by turning the whole thing into a monumental bad joke with himself as the woozily insistent Henny Youngman in the center ring, mumbling punch lines that kept losing their punch. -- Lester Bangs, "Let Us Now Praise Famous Death Dwarves, or How I Slugged it out with Lou Reed and Stayed Awake," 1975.