abu ali writes:

"OVNI 2003 Observatory Archives Program"

May 27-31, 2003, Centre de Cultura Contemporànea de Barcelona

Programming by: The Observatory Archives, with the special collaboration of Jayce Salloum.

OVNI is a collective of independent videomakers and programmers.

Website: desorg

Email: desorg

Phone: + 34 93 3064100

Acknowledgments: Serene Huelelih (The Arab Education Forum -- The Qalb el Umur Films Project), Anas Alaili, Abdelmajid Seddati y Abdelmajid El Jihad (Festival Art Video Casablanca), Nuria Enguita, Xavi Hurtado, Glòria Martí, Vani Brusadin (Dina), Dee Dee Halleck, Keith Sanborn.

Program Schedule follows below:

Tuesday 27/05/2003

9pm

Opening night special program: Screenings: 70 minutes

Wednesday 28/05/2003

6pm

LOST IN BABYLON.

Mohammed Soueid. Nightfall, 68', 2000, Lebanon,

In 1975, a group of young Lebanese men were affiliated with the Palestinian Resistance Organization "Fateh". Some of them sacrificed their life in the course of the Civil War. Now that the war has gone, a bunch of those fighters are considered survivors, but they keep themselves alive by nursing their souls with alcohols, poetry and laughter.

7.05pm

ARGENTINA BURNS

Various activist documentaries reporting on and responding to an extreme situation. The 'legal' sacking of a country.


Venteveovideo. La Bisagra de la Historia, 19', 2002. Argentina.
Writing our history of Histrory.

Ak- Kraak/ Grupo Alavío. Bloqueo al Polo Petroquímico Dock Sur, 12', 2002. Argentina.
South Petrochemical Complex blockade.



Gabriela Golder. Vacas , 4'30'', 2002. Argentina.

March 25th, 2002. About 400 people from the Las Flores neighbourhood slaughter live cows moments after they are thrown onto the road when the truck transporting them overturns.

7.35 pm

Claudia Aravena Abu-Ghosh, 11 de Septiembre, 5?30??, 2002. Chile / Alemania.
Spetember 11th 1973, military push in Chile. The tape explores the trans-textuality of memory while making an implicit critique of mass media and their depiction of violence. The fissure between these two aspects, as well as the friction between present, memory and historical pass, is the site from which the video sets itself forth.

7.40pm

GNN GUERRILLA NEWS NETWORK.

GNN. S-11 Redux, 10', 2001. USA.

S-11 Redux (channel) Channel Surfing the Apocalypse. A sound-bite blitzkrieg that challenges the messages we have been fed from the mainstream media and the government it serves.

GNN. The Most Dangerous Game, 8', 2001. USA.

Traces the history of top-secret CIA mind-control programs, from the covert importation of reformed nazi scientists to the illegal brainwashing experiments on innocent patients.

GNN. The Diamond Life, 6'30', 2001. USA.

Precious gems and massacres in Sierra Leone. A brutal look at the atrocities commited by the rebel forces in Sierra Leone, with the complicity of the international diamond cartels.

8.05pm

SEX, DRUGS AND SOCIAL ENGINEERING. Media Archaeology.

After WWII, Americans teenagers discovered leisure . They no longer had to work to support their families, and they had almost nothing to do. It seems like a cliche now, but bored teenagers were a completely new phenomenom, young minds eager to explore the limits of perception and pleasurable experience. In response, a wave of corporate and government educational videos, made by the same companies that manufactured addictive substances and military technology, responded to the situation by presenting a world of fears and hidden dangers. They were designing the personalities of the future, standardised citizens, with a new set of behaiviours and new fears and taboos.

It's Wonderful Being a Girl, 17', 1968.USA.

Barbiturates: A Case Study, Produced by the Lockheed Aircraft Corporation, 2', 1969.USA.

Narcotics: Pit of Despair, 12', 1967. USA.

LSD: A Case Study, Produced by the Lockheed Aircraft Corporation, 4', 1969. USA.

8.40pm

THE BABYLON ARCHIVES. Media Archaeology.

Documents from the dark side of the empire. Government and corporate promotional material from military, pharmaceutical and other mega industries...promoting them and their unspoken interests.

British Army on LSD, 5', 19??, UK.

Declassified document. In the 1960s the UK Royal Army began experimenting on its own tropos with new addictive and psychoactive substances.

Bayer. The World We Live In, 7', Germany.

A promotional video from German multinational Bayer. A euphoric vision and a justification of its commercial activities.

8.55pm

PALESTINE

Two videos from the "Qalb el Umur" association, which works with and for Palestinian children. The videos are made wholly or partly by children in workshops in Palestine. They are fragile and revealing portraits of oppression.

A Day in our Life 10', 2001 Palestine.

In the film A Day in our Life, the children aged 12-16 years present their life in the Amari refugee camp in Ramallah.

They use documentary as well as role play to introduce the audience to details of daily life in a refugee camp in Ramallah, including people?s memory which is an integral part of their life.

This Is Not Living , Alia Arasogli, 41', 19??, Palestine.

9.45pm

GUERRILLA IN BABYLON.

GNN. White America, 6', 2003, USA.

Apparent contradiction. Guerilla News Network accepts a surprising assignment: to create a radical video clip for white hip-hop superstar Enimen?s ?White America?. Apocalypse in the streets. The American Dream impregnated with the smell of decay.

CPV Editorial. Trailer, 4', 200?, Venezuela. (synopsis?)

Infiltrating videoclubs.

This Is Not Living Trailer, 4', 1982, Canada.

A trailer about Croneberg's prophetic film.


Anonymous. MasterControl, 1', 2002. USA.

Anonymous. Hereeverafter, 3', 2002. USA.

Anonymous. Read my Lips, 1'30'', 2002. USA.

Anonymous. Bushacked, 4', 2002. USA.

A fine example of guerilla translation. This version of George Bush's latest State of the Union speech dispels all doubts.

10.10pm Hall.

Alex Jones. Sept.11.The Road to Tyranny, 120', USA.

An exhaustive and intense documentary by ex-mass media maker, Alex Jones, which exposes dark forces and conspiracies around the events of September 11.
www.infowars.com.

10.10pm Auditorium.

Mark Hosler. NEGATIVLAND. Presentation and Screening.

Mark Hosler is one of the members of Negativland. He will talk mainly about the process that led to the release of the single U2 Negativland in 1992, which embroiled the collective in an interminable legal battle between the record company and mega-band U2.


Negativland presentation: the story of the letter U and the number 2, and the confrontation with the empire of copyright is a decisive moment in the history of this collective. Through their musical and media experiments since the early eighties, Negativland have been exploring the limits between intellectual property and market tyranny, fair and illegitimate use of information, and especially the right to deconstruct and reinterpret fragments of the media we are all constantly bombarded with. www.negativland.com

Steve Reinke. Presentation of new works. Screening.

In the late 90s, Canadian artist Steve Reinke embarked on a project that consisted of making 100 separate videos. The result is a portrait of places, confessions and characters, media monsters and also ruins, forming a complex map of distant lands that are just around the corner. 100 Videos is a kind of web in which everything is mixed together, from the personal to mass media usurpation. In OVNI 2003, Seve Reinke will present and talk about the 100 Videos and his subsequent projects.

Thursday 29/05/2003

6pm

LOST IN BABYLON.

Eric Foucault. Chasse, Nature et Découverte I, 11', 2002. France.

An unusual anthropologist-archaeologist of the future explores sediment layers, in search of evidende of sexual activity, habits....



Abdelatif Benfaidoul. The Globe, 5', 2003. Holland - Morroco.

?A commentary on the silent side that surrounds the act of war, the film illustrates my sensibility as a human being to the small details, which pass, unnoticed in a war..."

Naomi Uman. Removed, 6?50??, 1999. USA.

A digitally manipulated porn movie, the absent body of the woman, caressing and copulating with empty space.

Pau Arregui, Tresor, 1'30'', 2002. Spain.

Carol Jacobsen, Sentenced, 6', 2002. USA

Other less visible wars, other victims perish in the horror of the US penitentiary system.

6.30pm

THE BABYLON ARCHIVES. Media Archeology.

Documents from the dark side of the empire. Governement and corporate promotional material from military, pharmaceutical and other mega industries...promoting them and their unspoken interests.



ATOMIC Exp.

Recently declassified material relating to the historic (1940s to 1960s) atomic experiments of France and the US. Banalisation, pseudo-scientific coverage, experiments on their own troops and other crimes.

My Name is Father John Siemes, Hiroshima, 3'.

Ivy Mike Test, 2'20''

Exercise Desert Rock. Film # 0800060, 30''

Troop Involvement. 55''

Operation Hardtack. Film # 0800057. 45''

Cuban Missile Crisis. John Fitzgerald Kennedy Speaks, 10'

French Nuclerar Test: Algeria, Sahara Desert, 3'

Atomic Tourists, 4'.


7pm

COLONIAL TOURISM

Eduardo Díaz. I can't get no Satisfaction, 8', 2002. Spain.

Tenerife, an island paradise, Playa de las Americas, mass tourism, desire and pleasure packaged for consumption and its
wreckage.



Randi Steinberger. Holi-Days, 50', 2002. USA.

An overview of three classic cliches of tourism and pilgramage: Jerusalem, Florence and Las Vegas. The first is barely coping under pressure, the second one suggests a "theme-park" world, while the third....Las Vegas has all the answers.

8pm

PALESTINE


Rashid Masharawi. Ghabbash / Out of Focus, 15', 2000.Palestine.

Rashid lives and works in Ramallah, Palestine.
'It's when the mind fails to catch the necessary details, and gives a cloudy picture'. But the picture here is clear, since life was a grain of wheat until it became a bloodshedding. It's when the heart loses its way home, if it changes its name. But the oil here lights, from Jerusalem to Nazareth. It's what the eyes, tired of long sleep, see. But the eyes here are open, haven't closed for years. It could be a child looking for the necessary serenity to meditate. His feet led him to the cemetery. It could be. (Jayce Salloum)

Rashid Masharawi. Tawattor / Tensión, 26', 1998. Palestine.

How do you represent that which has been drained of meaning, misrepresented to the point of oversaturation, yet underappreciated and neglected to the point of absurdity? Time stretches eternally, oppressing your daily life to the smallest and largest degree, in humiliating detail, regular check points, opening boxes, behavior engulfed by silence. Masharawi succeeds brilliantly in silently depicting the daily abuses of life under occupation, the regulation and control superimposed, and the suffocating repression enacted and enforced by the Israeli military presence in Palestine. (Jayce Salloum)

Jayce Salloum. Everything and Nothing part3b, Beauty Never Ends, 11', 2002, Canada - Lebanon.

Images of orchids opening, plants sprouting, clouds and water superimposed onto images of the Sabra and Chatila refugee camp massacre in Lebanon in 1982. The voice of Abdel Majid Fadl Ali Hassan (a refugee from 1958 who lives in the Bourg El Harajneh camp) tells how his house in Palestine was destroyed.

8.50pm

THE BABYLON ARCHIVES. Media Archeology.

Documents from the dark side of the empire. Governement and corporate promotional material from military, pharmaceutical and other mega industries...promoting them and their unspoken interests.

Colonial Tourism. Your Next Vacation, Israel, 10'. Israel.

Promotional tourism video. Idealised images that entice cosumption. What is omitted screams out, like a wound.

9.20pm

THE INNER GARDEN.

Abu Ali. Istishara, 14', 2003. Morroco.

Dream stories. Dreams as a passage nto parallel worlds, erasing the limits between the real and the unreal, between life and death.



Jalal Toufic. Phantom Beirut: A Tribute to Ghassan Salhab, 15', 2002. Lebanon.
"He was starting to unbutton her shirt on the night of 7-8 February 2000, when the room became suddenly dark: 'What happened?' "Most likely, Israel has once more attacked the power stations." The nocturnal is not reserved for the night in Lebanon: even during daylight, doesn't a shade of the night appear every time the electricity is off due to electricity-rationing? Through this additional period of darkness during which they do not sleep, the Lebanese have turned into quasi insomniacs. The spells of periodic cut off of electricity have allowed me, who is otherwise not an insomniac, to better appreciate my insomniac friend the filmmaker and writer Ghassan Salhab."

Xavi Hurtado. El Canto de la Noche, 22', 2003. Colombia - Spain.

The dream, the journey, the story. Maps and paths. The Yagé. "We must learn to relax our minds if we want to arrive at places".

10.10pm Hall.

Al Jazeera. The Road to September Eleven, 120', 2001. Qatar.

Al Jazeera attempts to give a different view of those allegedly involved in the September 11 attacks, a less distant view that includes family, friends, context. Basically, it tries to provide much more information about those allegedly responsible. As the documentary porgresses, a question gradually arises: was "Tanzim Al Qaeda" the cutting edge of a sword that is wielded by another, larger force?

10.10pm Auditorium.

AUTONOMEDIA Ed. Jim Fleming.

Presentation: Autonomedia publishing project and autonomous media.

Screening.

New York-based Autonomedia are one of the most lucid publishers of books on radical media, politics and the arts. They have published more than 300 titles that have influenced and given voice to a generation of authors, thinkers and social collectives, and established a dialogue between seemingly unconnected critical voices. Their publications include: Hakim Bey's Temporary Autonomous Zones, Critical Art Ensembles; Digital Resistance and Electronic Civil Disobedience, the Electronic Disturbance Theatre's Hacktivism, and Petr Lamborn Wilson's Pirate Utopias and European Renegades, www.autonomedia.org.

Jim Fleming. Editor and member of Autonomedia. Lecturer in the Film and Media Department of Hunter College CUNY, New York. He will speak about the concept of "autonomous media" and how it relates to the books published by Autonomedia (including Hakim Bey's Temporary Autonomous Zones, Swiss writer p.m. "bolo bolo", and englsh-language editions of Situationist and Postmodern texts, the italian theory of "autonomy", etc,..)

Friday 30/05/2003

6pm

Anna Giralt, Un Día por Irán, 22', 2002. Spain - Iran.

A panoramic view of today's Iran. A walk around Iran in its daily life, without filters. The videocamera acts as the eyes of the traveller who tries to win over some moments. A tour of 20 minutes around the cities of one of the biggest country in the world.

6.25pm

ILLEGAL MIGRANTS, BORDERS

CLANDESTINOS, SIN PAPELES, FRONTERAS.

Ursula Biemann y Angela Sandres. Europlex, 20', 2003. Switzerland.

Europlex tracks distinct cross-border activities through the Spanish-Moroccan borderland and seeks to make these obscure paths visible. On their repetitive circuit around the check-point to the Spanish enclave Ceuta, the video follows in three borderlogs the smuggling women who strap multiple layers of clothes to their bodies; the daily commute of "domesticas" who turn into time travellers as they move back and forth between the Moroccan and European time zones; and the Moroccan women working in the transnational zones in Northafrica for the European market. All these trajectories move around and in between the imperative of the territorial borders. They form, however, a vital layer of the cultural and economic space between Europe and Africa.

Victor Rins y Alex Muñoz. Frontera Sur, 13', 2003. Spain.

At borders, a line becomes important as the basis of property rights, physically defining relationships. Day by day, those who illegally cross borders reconstruct the imaginary lines, redefine accepted geography and occupy the non-places, where "the others" temporarily exist.


"The others", non-citizens, are ghostly interchangeable elements in a fexible market place. They are almost invisible beings, permenantly controlled by technology. With the excuse of improving security on the streets, they are removed from public spaces, which are reserved for citizens with rights.


Borders, necessary for justifying a diffuse European identity, are maintained by military force, guarded and exploited by NGOs and multinationals.

7pm

LOST IN BABYLON

Mohammed Soueid. Cinema Fouad, 41', ........Lebanon.

Khaled, a Syrian worker earns his living in old town Beirut. He was born transvestite. Ever since he suffered of his sexual identity. Yet, he has determined to change his sex by a surgery which allows him to become a woman. This film enters into Khaled's intimate world, daily struggle and damages that inflict him in an intolerant society.

7.45pm

THE BABYLON ARCHIVES. Media Archeology.

Documents from the dark side of the empire. Governement and corporate promotional material from military, pharmaceutical and other mega industries...promoting them and their unspoken interests.

Go Army. US Army training and recruitment.

www.goarmy.com is a web site designed for the American army by Southern California University ICT. Technology and propaganda supported by a combination of corporations, university research departments and the army's futuristic projections (Future Combat Systems).


In this section, through the filter of propaganda, we see future recruits and the process of immersion in army culture. A catalogue of psycho-emotional jabs to create the ideal soldier.

GENERIC.
Barber Shop. 1'30''

Inoculations. 40''

Boxing Bout. 2'35''

Logistics. 40''

Gas Mask. 1'50''

Night Infiltrations. 40''

RECRUITS.

Latino Soldier.

I am a soldier. 1'

He who perserveres, triumphs. 1'40''

I have faith in myself. 1'

I am a squadron leader. 2'05''

You also attain glory. 2'15''

Ben. 1'20''

Ben always forward. 1'30''

Alice Borja. Latino Female Soldier.

So I can say I am the Army. 1'30''

Here we are all equal. 1'30''

This has made me stronger. 1'10''

Its for something very big.1'30''

A good woman, a soldier. 2'15''

8.15pm

LOST IN BABYLON

Deborah Stratman. In Order Not to Be Here, 33', 2002. USA.

Unscalable walls, security cameras, deserted streets, surrounding villas and houses; architectural styles: californian gothic, imperial roman, germanic bunker, a catalogue of lonliness and persecutions.

8.50pm

THE INNER GARDEN

Mike Hoolboom. Imitations of Life (selection), 45', 2003. Canada.

(In the Future, Last Thoughts, Portrait, The Game, Imitation of Life, Rain)
Thoughts on the role of "image", memory, and time on our journey through life and death. Sounds and voices from childhood, nightmares implanted by television, celebrations of the here and now.

9.35pm

THE BABYLON ARCHIVES. Media Archeology.

Documents from the dark side of the empire. Governement and corporate promotional material from military, pharmaceutical and other mega industries...promoting them and their unspoken interests.

DIGITAL EUPHORIA.

The promise of a perpetually updated technified world. Other forms of marketing and addiction.

Linux IBM.

Compaq: They were four, they cerated an empire.6'.

Intel: Pentium 4 ad infinitum.6'

Microsoft. Steve Ballmer. Dance Monkey Boy: I love this Company. 1?

Microsoft. Dance Monkey Boy: Developers. 30??

Mr. Steve Ballmer Speaks.6?.

Land Warrior 2.0. Christopher Bashaw. 4'30''

WAR SIM.

Some digital entertainment icons and references.

Thunder Strike, Operation Phoenix: Fun, Fast, Furious. 1'30''.

State of Emergency. 2'30''.

Vietcong. 3'30.

Soldier of Fortune, 2'.

Flashpoint: 1985. Status Quo. 1'30''.

10.05pm Hall.

GNN GUERRILLA NEWS NETWORK.

GNN. Aftermath, Unsanswered Questions from 9/11, 90'. 2001. USA.

10.05 Auditorium.

AUTONOMEDIA Ed. Eric Goldhagen.

Presentation: New Media and Open Source Software.

Screening.

Eric Goldhagen is a technology worker with a background in print production and currently a member of the Autonomedia publishing collective; Coordinator of a public-access computer lab at ABC No Rio, an anarchist community-arts center In New York City's Lower East Side neighborhood of Manhattan; and works for Openflows, a toronto based firm that specializes in helping organizations understand and employ open source software in their day-to-day operations


Eric's presentation will deal with technology and the politics of new media an

Saturday 31/05/2003

6pm

GUERRILLA IN BABYLON.

Lynn Estomin. No Justice, No Peace, 48', 2002. USA.

From conflicts and uprisings in Cincenatti, racism and misery, to the events that have shaken the start of this new century. Until there is justice there will not be peace.

6.50pm

THE BABYLON ARCHIVES. Media Archeology.

Documents from the dark side of the empire. Governement and corporate promotional material from military, pharmaceutical and other mega industries...promoting them and their unspoken interests.

AIR CORP.

The big names in aeronaoutics care about our travelling comfort.

Boeing, Harpoon-Forever New Frontiers. Boeing Corp. 2'.

Boeing, 717-Forever New Frontiers. Boeing Corp.5'.23''.

The Seven Wonders. Airbus. 1'.

Business class pasangers may wish improvise. Airbus. 20''.

No middle seats in business class. Airbus. 20''.

AIR MIL.

The big names in aeronautics move invisible strings.

Pax1. Boeing Corp. 1'.

Air, Space and Power. 6'.

JSF: One Team. Boeing Corp. 5'.

American Air Force: No One Comes CLose. 5'.

Out of the Blue.3?.

Remember. Lockheed Martin Corp. 33''.

Bumpersticker. American Air Force. 30''.

Northrop Grumman. Defining the Future. 5?.

We never forget who we are working for. Lockheed Martin Corp. 30''.

Simulator: We never gorget who we are working for. Lockheed Martin Corp. 30''.

Combat Operations in the Year 2010. Darpa. 52''.

7.20pm

LOST IN BABYLON.

Jennifer Reeder. The Ex-boyfriend, 11', 2002. USA.

Loneliness and loss in western lands. The paradise of the west, the land of the "lonely masses".

Virginia García. Pare de Sufrir, 7', 2003. Spain - Mexico.

Pare de Sufrir, cease suffering, is the name of a church very near to the house where I lived in Guadalajara (Mexico). This video is about madness, faith, consumer culture, advertising, design, identity ...

Juan Pintabona. Ciudad 1, 16', 2002. Argentina.

A poetic story that questions the very sense of the city. Images taken from different urban contexts present the lives of some of its inhabitants. Movement and loneliness in the new, man-made nature. Fragments of life in the city's public spaces.

Laia Sadurni and Vahida Ramujkic. Poble Now 24.05.02, 12', 2002. Spain.

Safaris in the gaps of the empire of property speculation. Psycho-geographic wanderings.

8.10pm

GUERRILA IN BABYLON.

Yo Mango. La Felicidad No se Puede Comprar, 10', 2002. Spain.

You can't buy happiness. The other side of desire.

Abdelaziz Taleb. Recycling [ri:?saiklin], 4?, 2002. Morroco - Germany.

Stefan Zweig said: "only that which is individual creates independence in the world, and for that person only..."

New Kids on the Black Block. Call It What You Want!, 12', 2002. Spain.

Famous and hooded, song lyrics, the 10 secrets of success, test: how well do you organise your time, beauty tricks. Another world tour (is possible).

Juan Pablo del Campo. La Baba del Fascista, 6', 2002. Spain.

The fascist's drool.

8.45pm

THE INNER GARDEN..

Virginia Fons. Nganga y los Arboles, 5', 2002. Guinea - Spain.

The world is a timeless and single organism, everything is animate, alive, inhabited by spirits you can talk to. This is how conscience is born and knowledge of the Sacred begins.

Nora Bouhjar. Tilawin, 11', 2002. Morroco - Belgium..

"The need to find a part of myself and renew cultural ties. This is what led me to Morroco, to a small Bereber village, to become part of a family and enter into the private women's circle."

9.05pm

PALESTINE

Nahed Awwad. Lions, 10', 2002. Palestine.

This film takes you to the city of Ramallah during the 2nd-and not last - invasion by Israeli troops in April 2002. It is what I saw, heard and experienced starting from neighborhood moving to the city destruction.

21.15pm

THE BABYLON ARCHIVES. Media Archeology.

Documents from the dark side of the empire. Governement and corporate promotional material from military, pharmaceutical and other mega industries...promoting them and their unspoken interests.

POST SEPT. 11 SPEECHES AND PROPAGANDA

Speeches, 9/11: Arafat, Putin, Blair, Bush, Sharon.10'.

Enduring Freedom. The Opening Chapter. 4'30.

A worrying promotional video of damage post-September 11, directed by Klaus Obermayer, in which revenge is encouraged by pushing the buttons of entrenched psycho-social cliches: virility, "they say american boys aren't hard enough", "24 hours a day, 7 days a week".

Tributes

NYC Stockexchange Bolsa. 1'40''

December 2001, the New York Stock Exchange reopens for business. The counterattack has begun.

TARGETS. MILITARY OBJECTIVES:

Kosovo Targets. OTAN. 2'.

The representation of the war is increasingly abstract, while videogames are getting morerealistic all the time.

Afganistán Targets. Operation Anaconda.13'.

A strange document that seems to have slipped through military control.

9.45pm

Norman Cowie. Scenes From an Endless War (2001- 2002), 32', 2002. USA.

Scenes from an endless war, fought on many fronts. The streets and the mass media.
Scenes From an Endless War, in an experimental documentary on militarism, globalization, and the ?war against terrorism?. Part meditation, part commentary, Scenes employs recontextualized commercial images, rewritten news crawls, and original footage and interviews to questions received wisdom and common sense assumptions about current American policies.

10.15pm Hall

Al Jazeera. Osama Bin Laden Speaks 1998. 90', 1998. Qatar.

10.15pm Auditorium.

AUTONOMEDIA Ed. Lewanne Jones

Presentation: Film and Video Research in North America.

Screening.

Lewanne is Autonomedia's main Film and Video specialist. She will present her research into media archaeology in the US.